Grizzly Smith Media has a 2-ton grip & electric package, as well as three different 4K camera packages available for hire. Read the details for each package below. You can download a PDF of our gear list here.
Prolycht/Quasar/LED Fresnel Lighting and Grip Package
Our grip/electric package includes everything you need to shoot a commercial, short film, or TV episode, loaded onto a high-roof Ram Promaster 3500 with a Tommy Gate liftgate. Everything rolls off the truck on professional carts by Studio Carts.
2 x Prolycht Orion 675 FS
The Prolycht Orion 675 is a full-color, full spectrum cob light. It's the Swiss Army Knife of professional lighting. It can produce white light at any temperature from 1,800k to 20,000k, and any color of light you can imagine. Unlike most RGB fixtures, The Orion uses an RGBACL array (red, green, blue, amber, cyan, lime) to create color. As a result, colors are far more saturated than with normal RGB lights. White light is created using the full spectrum, so skin tones are far more pleasing and natural looking.
Because of the way the light engine works, using all the colors to make light, the Orion loses very little output when changing color temperatures. As a result, it outputs greater intensity than any bi-color light in the same wattage range, and can even rival daylight-only fixtures.
In addition to all that, it can simulate Lee and Rosco gels and create lighting effects like fire, police lights and so forth. Unlike other cob lights, the Orion doesn't have a separate power box that you need to attach to your light stand. Everything is contained in the head.
Our kit includes 2 Orion 675s, Prolycht's 10-inch fresnel and barn doors, and an assortment of reflectors and soft boxes, including the Prolycht 60-inch dome and 35-inch lantern.
6 x Quasar Crossfade 4ft 6-bank
Each of these fixtures contain six 4-foot Quasar Crossfade self-ballasted LED tubes. They are mounted in a Kino Flo 4ft/4bank fixture, but have been customized to be able to hold 6 tubes instead of the customary 4. Each tube can have its color temperature dialed in from 2000 Kelvin up to 6000.
Each tube can be removed from the fixture to be used individually for smaller lighting tasks. Each of these tubes has only 1/3 of a stop less output than a full Kino 4ft 4bank, so they are useful alone, and produce a massive amount of light when used together. Furthermore, they are dimmable, so they can be fine-tuned to the exact amount of output needed.
Each tube only consumes 50 watts of power at full output, so the whole fixture at maximum power only requires 300 watts, the same as an old fluorescent Kino Flo 4ft 4bank.
3 x Quasar Crossfade 2ft 6-bank
Just like the 4-foot banks above, these 2-foot fixtures consist of a Kino Flo shell customized to hold 6 Quasar Crossfade tubes. Each tube can be removed from the fixture and used independently, each can have their color temperature dialed in from 2000 to 6000 Kelvin, and each is dimmable.
2-foot Quasar Crossfades only require 25 watts of power per tube at full power, so the whole fixture with 6 tubes inside only requires 150 watts.
4 x Nanlite PavoTube 30C - 4ft RGBW LED tubes
These 4-foot RGB tubes from Nanlite each contain their own internal battery and can run for hours, depending on the intensity they are set to, without being plugged into the wall. They can be mounted on tube clamps and attached to a c-stand or just taped to the wall or hand-held depending on the situation. If the battery does run out, they can be plugged in and go all day.
We have egg crate grids for each of the tubes, as well as single- and double-tube clamps with baby pins for mounting. These lights are incredibly versatile and mobile, and we use them on virtually every shoot.
4 x Nanlite PavoTube 15C - 2ft RGBW LED tubes
Each of these 2-foot tubes can be tuned to any color of RGB light or any temperature of white light from 2700K-6500K. They can run off of internal batteries or wall power.
2 x Nanlite PavoTube II 6C 10" RGBWW LEDs
These tiny tube lights have internal batteries and can also run off of house power or off a standard USB-C power bank. They have magnetic ends and can therefore just stick to a steel surface. They also come with small screw in tripods that make them stand upright. Each one has a removable egg-crate to control spill. They can emit white light from 2700K to 6500K, and are fully RBG tunable.
1 x Aputure B7c RGB light bulb
This RGB bulb can run off of its own internal battery or be plugged into a standard Edison light socket to run off mains and recharge. We have a cabled light socket with the light to be able to charge it or rig it according to your needs.
1 x Nanlite Forza 500
The Nanlite Forza 500 is a daylight balanced COB light. The head is very compact and only weighs about 5 pounds, but it still outputs as much light as some 1200 watt HMIs. It's perfect for rigging out on a menace arm or some other place where weight and size are an issue.
2 x Intellytech Light Canon Pro LED Fresnel
These 5600K daylight balanced fresnels have an output similar to a 2K tungsten light. Unlike tungsten, however, they do not run hot, they are fully dimmable without any change in color, and they only require about 400 watts each to power.
Each fixture includes a standard set of barn doors and a soft box.
4 x Intellytech F-165 LED Fresnel
These 5600K daylight balanced fresnels consume only 165 watts at full power, yet have output comparable to a 1K tungsten fixture. They produce no heat and are fully dimmable without color shift. Each includes a set of barn doors.
Nanlite Forza 60 II Daylight
This compact cob fixture can be powered by a pair of Sony L batteries and comes with a hand grip for using on the run. Despite it's small size, it packs a punch.
Dracast 2000 LED Fresnel
This 5600K fresnel is comparable in output to maybe a 1.25K tungsten light.
9 x Topfotos LED Fresnels
This assortment of smaller 5600K fresnels provides a lot of options for shaping light and adding accents to your scene. It includes the following fixtures:
- 2 x 200 watts
- 4 x 100 watts
- 1 x 50 watts
- 2 x 20 watts
4 x Bestlight 900 LED Panels
These generic, daylight-balanced panels require only 50 watts of power, and have a small footprint.
22 x Stingers
- 1 x 100 ft
- 1 x 75 ft
- 12 x 50 ft
- 8 x 25 ft
19 x Squeezers
- 7 x 1,000 watt
- 6 x 1,000 watt (fan speed controller type)
- 3 x 600 watt
- 3 x 300 watt lamp dimmer
9 x Combo Stands
- 5 x Modern Mombo Combo (2 on the truck, 3 more available on request)
- 2 x Matthews Hollywood 3-rise Combo
- 2 x Matthews 2-rise Combo
- 2 x Low Boy
18 x C-Stands
- 14 x 40"
- 4 x 20"
Our C-stands come on a Studio Carts Mini Quad Cart which includes rotating caster front wheels, plenty of integrated baby pins to attach things to, and a complement of tennis balls for safety.
5 x Baby Stands
7 x Light Stands
1 1/4-inch speed rail frame with Norm's hardware.
With Silk, Ultrabounce, Solid
8x8 Breakdown Frame
1-inch square tube breakdown frame with Norms and Matthews hardware.
With 1/2 Silent Grid, Magic Cloth
3/4-inch square tube frame and hardware from Modern.
With Silk, Ultrabounce, 1/4 Silent Grid, 1/4 Silk, Magic Cloth
15 x 4x4 Scrims
- 2 x Floppy
- 3 x Solid (2 on truck, 1 more available on request)
- 2 x Single
- 2 x Double
- 2 x Silk
- 4 x gel frame (2 on truck, 2 more available on request)
- 4x4 40° Soft Grid / LCD / Egg crate
16 x 24x36 Scrims
- 3 x Solid
- 2 x Single
- 2 x Double
- 3 x Silk
- 6 x gel frames
5 x 18x24 Scims
- 2 x Solid
- 3 x Silk
42+ x Clamps
- 12 x Cardellini
- 10 x Mafer
- 2 x Duck-bill
- 3 x C-Clamp
- 4 x Scissor
- 5 x Furniture
- 3 x Gag
- 3 x Grip Head
- many grip clips
2 x Triple Headers
11 x Apple Boxes
- 4 x Full
- 3 x Half
- 2 x Quarter
- 2 x Pancake
22 x Sandbags
- 6 x 35-lbs
- 11 x 25-lbs
- 3 x 20-lbs
- 2 x 15-lbs
- 2 x 10-lb Boa
2 x Ladders
- 9-step (telescoping, multi-position)
5 x Professional Studio Carts
We have four carts by Studio Carts on the truck with all our gear loaded onto them:
- Studio Duz-All Cart
- Mini Kino Cart
- C-Stand Mini Quad Cart
- Mini Muscle Cart
We also have a camera cart for use by your camera department:
- Proaim Victor 36" Camera Cart
And we keep one utility cart on the truck for your convenience:
- RocknRoller MultiCart R18RT Mega Plus with 2 x GripNGaff stand and tripod utility bags
Sony A7sIII with Sony FE 24-70mm f/2.8 GM
The latest addition to our camera lineup, the A7sIII allows us to shoot 4K UHD video at up to 120 frames a second with beautiful 10-bit color, and all in a package so small that it fits on our DJI Ronin-S gimbal.
Sony FE 24-70mm f/2.8mm GM Lens
2 x Sony 160GB CFexpress Type A TOUGH Memory Card
7 x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
Sony BC-QZ1 Battery Charger
Sony FS700 with Odyssey 7Q+
The Sony FS700 camera, combined with the Convergent Design Odyssey 7Q+ is a powerful 4K capable video recording system. With the two of them together, I can shoot 12-bit RAW 4K footage at 60 frames per second, or up to 120 frames per second for short bursts. I can also shoot 2K footage at up to 240 frames per second.
The FS700 uses Sony's proprietary S-Log 2 to capture footage with a substantial dynamic range of 14 stops. The Odyssey 7Q+ can record that footage in cinema DNG files, or in ProRes if limited hard drive space is a concern.
4K RAW-capable Super 35 sensor. E-Mount, easily adaptable to other lens mounts. Internal ND filters. 3G SDI and HDMI out.
Convergent Design Odyssey 7Q+ Recording Monitor
7.7-inch OLED touchscreen with peaking, false color, zebra, histogram, and all the other monitoring tools you would expect on a professional monitor. Records to inexpensive Samsung SSDs, in RAW and Apple ProRes.
4 x Canon EF Professional Lenses
- Canon 24-70mm f/2.8
- Canon 70-200mm f/2.8
- Tokina 11-16mm f/2.8
- Canon 50mm f/1.8
- Canon 70-300mm f/3.6-5.6
- Sony 18-200mm f/3.5-6.3
2 x Metabones E to EF adapters
- One of our Metabones adapters is a speedbooster, which makes the lens .71x wider and increases the maximum aperture by one stop, while the other has no optical effect on the image.
Zacuto Gratical HD Viewfinder
4x4", swing away, 2 filter holders, 1 rotating.
SmallRig VCT-14 Shoulder Plate
Allows moving from sticks to ones shoulder immediately.
Tilta ES-T05 Camera Cage
Provides protection and top handle to camera rig.
Tilta FF-T03 Follow Focus
Has 2 hard stops.
12 x Sony L-series Batteries
- 4 x F970
- 2 x generic F970
- 2 x F770
- 2 x F570
- 2 x generic F570
2 x Sony L-series Battery Chargers
Sachtler Video 18 Caddy
Fluid Head. 4-stop counterbalance. Independent 7-stop pan and tilt drag. Floor spreaders. Carbon legs. 33lbs max payload.
Benro H10 Tripod
Fluid head. 5-step counterbalance and independent 4-step pan and tilt drag.
Sony A7 III with DJI Ronin-S
Our mobile camera rig, the A7 III can shoot at frame rates up to 30fps in 4K and 120fps in HD. The Ronin-S permits us to shoot incredibly smooth tracking shots.
Sony A7 III
Full-frame sensor, 24.2MP camera. Capable of shooting 4K UHD up to 30 frames per second and HD up to 120 FPS in S-log2 or S-log3.
One-handed gimbal that can smoothly work with fairly heavy cameras.
- Sony 28mm f/2
- Sony 50mm f/1.8
- Sony Zeiss 24-70mm f/4
- Rokinon AF 14mm f/2.8
Rode VideoMicro On-Camera Microphone
Feelworld FW568 Monitor
5.5-inch field montior with peaking, focus assist.
20ft of PVC track permits very rapid setup
- 5ft Speed Rail track
- Cinemover Plus dolly
- Can be underslung
Manfrotto single stage tripod with 114MV Cine/Video Dolly
This doesn't provide the smoothest ride, as it's just a set of wheels that mounts right onto your spike-footed tripod. Nevertheless, it's rather nice when on a sound stage or at a location with a smooth, flat floor to have your jib sitting on top of it when it's time to move to the next setup.